Carlos Serrano de Osma
Regie

Carlos Serrano de Osma

Geboren 1916-01-16 · Madrid, Madrid, Spain · Gestorben 1984-07-26

Carlos Serrano de Osma (Madrid, January 16, 1916-Alicante, July 26, 1984) was a Spanish film and television critic, director and screenwriter. A film critic in Spain in the 1930s, he ventured into directing in the midst of the Spanish post-war period, 1947, with three films that represented a break with the Spanish cinema of the time: Abel Sánchez, based on the novel by Miguel de Unamuno, with novel forms in both narrative and framing; La sirena negra, based on the novel of the same name by the writer Emilia Pardo Bazán and considered by some critics his best work, and, in 1948, Embrujo, with his own script and the presence on stage of Manolo Caracol and Lola Flores, with a clear surrealist content that was definitely "a challenge to the mentality of producers and censors", even for the public, and whose value was not recognized until it was awarded thirty-four years later, at the Seville Film Festival in 1982. Serrano de Osma continued directing films until the 1960s, -La rosa roja was his last film-, but he gave up, as he said, "because I couldn't find any stimulus for it and I became discouraged". He continued in the world of cinema as a scriptwriter, with incursions also in television; he was a professor at the Film School in Madrid and also in Rome.

AutorCo-DirectorDrehbuchDelegated ProducerStoryRegieBesetzung

Bekannt für

La rosa rojaSehmoment
La rosa roja
1960
Bajo el signo de las sombras★ 6Sehmoment
Bajo el signo de las sombras
1984
Abel SánchezSehmoment
Abel Sánchez
1947
Embrujo★ 5.8Sehmoment
Embrujo
1948
La sirena negra★ 5Sehmoment
La sirena negra
1947
Rostro al marSehmoment
Rostro al mar
1951
La sombra de un recuerdo★ 5Sehmoment
La sombra de un recuerdo
1978
Una jaula no tiene secretosSehmoment
Una jaula no tiene secretos
1962
Parsifal★ 5.3Sehmoment
Parsifal
1951
Aufstand im Inselparadies★ 4Sehmoment
Aufstand im Inselparadies
1954

Häufige Kollaborationen