
Wagner: Die Walküre (2013)
Richard Wagner called Die Walküre the “first evening” of the Ring of the Nibelung; he called Das Rheingold the prologue or Vorabend. Musically and dramatically, we are introduced to a radically new and different world when the opening bars of Die Walküre resound. A fully developed orchestral palette of Leitmotivs paints a wild storm scene, and the curtain rises on a modest dwelling: a fully human scene that has nothing to do with the gods, dwarves and nymphs of Das Rheingold. At the same time, however, the way Die Walküre portrays radical beginnings reveals some telling reminiscences of the unfolding of Das Rheingold. Die Walküre is exciting and deeply feeling drama.
Feature zu Wagner: Die Walküre lesen →Wo kann man Wagner: Die Walküre streamen?
Alle Länder & Optionen →Angezeigt wird Deutschland. Verfügbarkeitsdaten von JustWatch.
Hauptbesetzung
Vollständige Besetzung & Crew →Schlagwörter
Movie DNA
Ähnliche Titel
Mehr Musik →
Sehmoment
Sehmoment
Sehmoment
Sehmoment
Sehmoment
Sehmoment
Sehmoment
Sehmoment
Sehmoment
Sehmoment
Sehmoment
SehmomentHäufige Fragen zu Wagner: Die Walküre
Worum geht es in Wagner: Die Walküre?
Richard Wagner called Die Walküre the “first evening” of the Ring of the Nibelung; he called Das Rheingold the prologue or Vorabend. Musically and dramatically, we are introduced to a radically new and different world when the opening bars of Die Walküre resound. A fully developed orchestral palette of Leitmotivs paints a wild storm scene, and the curtain rises on a modest dwelling: a fully human scene that has nothing to do with the gods, dwarves and nymphs of Das Rheingold. At the same time, however, the way Die Walküre portrays radical beginnings reveals some telling reminiscences of the unfolding of Das Rheingold. Die Walküre is exciting and deeply feeling drama.
Wie lang ist Wagner: Die Walküre?
Wagner: Die Walküre hat eine Laufzeit von 238 Minuten.
Wo kann man Wagner: Die Walküre streamen?
Öffne den Vlovu-Streamingguide für aktuelle Streaming-, Leih- und Kaufoptionen.

