Vulva's School (1995)
A performance in which Schneemann personifies an irrepressible vulva, which engages two animal hand puppets in a clamorous deconstruction of sexual bias in French semiotics, Marxism, patriarchal religions and physical taboos.
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A performance in which Schneemann personifies an irrepressible vulva, which engages two animal hand puppets in a clamorous deconstruction of sexual bias in French semiotics, Marxism, patriarchal religions and physical taboos.