昼下がり (1998)
He feels suffocated and bothered by the small community, be it the local area or the relationships, but he also knows that there is a part of him that can be spoilt somewhere, and he cannot get out of it. This is the situation that most people today find themselves in, but this film depicts the tragedy that is caused by people who are eighteen there, in many different ways. There, victims can also become perpetrators, and perpetrators can instantly become victims, and this is clearly conveyed in the film, which is probably one of the main reasons for the use of middle-aged and older people as heavily weighted performers, which is unusual for an independently produced film.
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He feels suffocated and bothered by the small community, be it the local area or the relationships, but he also knows that there is a part of him that can be spoilt somewhere, and he cannot get out of it. This is the situation that most people today find themselves in, but this film depicts the tragedy that is caused by people who are eighteen there, in many different ways. There, victims can also become perpetrators, and perpetrators can instantly become victims, and this is clearly conveyed in the film, which is probably one of the main reasons for the use of middle-aged and older people as heavily weighted performers, which is unusual for an independently produced film.