
Tri-Alogue #4 (2020)
1 Stimmen
A subtle movement of dancer’s arms invites three panels of film into one frame in this micro-symphony of sound and image in which the changing light evokes the passing of time. Human and non-human, interior and exterior co-exist in this highly improvisational yet serendipitous portrait of the forever-changing city of Seattle. Collaborating to subdivide a 16mm film frame into thirds, Caryn Cline, Linda Fenstermaker and Reed O’Beirne present their separately shot segments simultaneously within one spatial plane. From the interplay of these three points of view emerges a cinematic conversation based on a horizontal compositional logic within the shared frame. This combined connotative relationship between the subframes evokes a spectacle of fractured spatial and temporal perspective.
Feature zu Tri-Alogue #4 lesen →Hauptbesetzung
Vollständige Besetzung & Crew →Movie DNA
Ähnliche Titel
Mehr Dokumentarfilm →
Sehmoment
Sehmoment
Sehmoment
Sehmoment
Sehmoment
Sehmoment
Sehmoment
Sehmoment
Sehmoment
Sehmoment
Sehmoment
SehmomentHäufige Fragen zu Tri-Alogue #4
Worum geht es in Tri-Alogue #4?
A subtle movement of dancer’s arms invites three panels of film into one frame in this micro-symphony of sound and image in which the changing light evokes the passing of time. Human and non-human, interior and exterior co-exist in this highly improvisational yet serendipitous portrait of the forever-changing city of Seattle. Collaborating to subdivide a 16mm film frame into thirds, Caryn Cline, Linda Fenstermaker and Reed O’Beirne present their separately shot segments simultaneously within one spatial plane. From the interplay of these three points of view emerges a cinematic conversation based on a horizontal compositional logic within the shared frame. This combined connotative relationship between the subframes evokes a spectacle of fractured spatial and temporal perspective.
Wie lang ist Tri-Alogue #4?
Tri-Alogue #4 hat eine Laufzeit von 4 Minuten.