Verdi La Traviata poster
PelículaMúsica

Verdi La Traviata (1992)

1992-08-14 · 2h 0m · EN
40%
User score
1 votes

This set has Edita Gruberova singing in top form, all her scooping cast aside, which one finds in abundance in her Lucia under Richard Bonynge. Here, however, she makes ravishing use of those bits of tone that only she can produce: those instances of coloratura and dramatic legato with little asides and small florishes of style that suggest her intelligent approach and her high degree of musical involvement in this role. She does this in her I Puritani and her Anna Bolena, less so in Roberto Deveraux and Maria Stuarda(both sets). Listen to Addio del passato and the Sempre Libra...ravishing, yes, but there are again those nuances learned from Callas that she makes her own. A very singualr perform,ance, and extremely moving with its detail and cry for pity throughout..from the start even. Neil Schicoff is excellent, not an unworthy Alfredo at all! His is a great lyric tenor voice that should have been in the top line.

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Reparto principal

Reparto y equipo completo →
Edita GruberovaEdita GruberovaViolettaNeil ShicoffNeil ShicoffAlfredoGiorgio ZancanaroGiorgio ZancanaroGermontMariana PentchevaMariana PentchevaFloraAntonella TrevisanAntonella TrevisanAnninaMax René CosottiMax René CosottiGastonOrazio MoriOrazio MoriBarón DoupholFrancesco MusinuFrancesco MusinuDoctor GrenvilPaolo Maria OrecchiaPaolo Maria OrecchiaMarqués D'ObignyCarlo RizziCarlo RizziConductor

Palabras clave

Opera

Movie DNA

Afinidad de géneroMúsicaPreferencia de dirección385307Preferencia de reparto407486 · 517140 · 563891Preferencia de paísItPreferencia de década1990Preferencia de duraciónMedia

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Frequently asked questions about Verdi La Traviata

What is Verdi La Traviata about?

This set has Edita Gruberova singing in top form, all her scooping cast aside, which one finds in abundance in her Lucia under Richard Bonynge. Here, however, she makes ravishing use of those bits of tone that only she can produce: those instances of coloratura and dramatic legato with little asides and small florishes of style that suggest her intelligent approach and her high degree of musical involvement in this role. She does this in her I Puritani and her Anna Bolena, less so in Roberto Deveraux and Maria Stuarda(both sets). Listen to Addio del passato and the Sempre Libra...ravishing, yes, but there are again those nuances learned from Callas that she makes her own. A very singualr perform,ance, and extremely moving with its detail and cry for pity throughout..from the start even. Neil Schicoff is excellent, not an unworthy Alfredo at all! His is a great lyric tenor voice that should have been in the top line.

How long is Verdi La Traviata?

Verdi La Traviata has a runtime of 120 minutes.