Hamlet poster
PelículaDrama

Hamlet (2013)

2013-01-01 · EN
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In The Wooster Group’s HAMLET, Shakespeare’s classic tragedy is re-imagined by mixing and repurposing Richard Burton’s 1964 Broadway production, directed by John Gielgud. The Burton production was recorded in live performance from 17 camera angles and edited into a film that was shown as a special event for only two days in nearly 1,000 movie houses across the U.S. The idea of bringing a live theater experience to thousands of simultaneous viewers in different cities was trumpeted as a new form called “Theatrofilm,” made possible through “the miracle of Electronovision.” The Wooster Group attempts to reverse the process, reconstructing a hypothetical theater piece from the fragmentary evidence of the edited film. We channel the ghost of the legendary 1964 performance, descending into a kind of madness, intentionally replacing our own spirit with the spirit of another.

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Multimedia

Reparto principal

Reparto y equipo completo →
Scott ShepherdScott ShepherdHamletAri FliakosAri FliakosClaudius/Osric/Marcellus/Ghost/GravediggerKate ValkKate ValkGertrude/OpheliaKoosil-jaKoosil-jaNurseAlessandro MaganiaAlessandro MaganiaBernardo/VoltemandGreg MehrtenGreg MehrtenPoloniusDaniel PettrowDaniel PettrowHoratio/Rosencrantz/Guildenstern/Player QueenCasey SpoonerCasey SpoonerLaertes/Rosencrantz/Guildenstern/Player King

Movie DNA

Afinidad de géneroDramaDensidad de diálogoDramaPreferencia de dirección618973Preferencia de reparto16383 · 618966 · 826920Preferencia de década2010

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Frequently asked questions about Hamlet

What is Hamlet about?

In The Wooster Group’s HAMLET, Shakespeare’s classic tragedy is re-imagined by mixing and repurposing Richard Burton’s 1964 Broadway production, directed by John Gielgud. The Burton production was recorded in live performance from 17 camera angles and edited into a film that was shown as a special event for only two days in nearly 1,000 movie houses across the U.S. The idea of bringing a live theater experience to thousands of simultaneous viewers in different cities was trumpeted as a new form called “Theatrofilm,” made possible through “the miracle of Electronovision.” The Wooster Group attempts to reverse the process, reconstructing a hypothetical theater piece from the fragmentary evidence of the edited film. We channel the ghost of the legendary 1964 performance, descending into a kind of madness, intentionally replacing our own spirit with the spirit of another.