Harnam Singh Rawail
Réalisation

Harnam Singh Rawail

Harnam Singh Rawail (b. 1921) Hindi-Urdu director born in Lyallpur (now Pakistan). Went to Bombay in his teens to join films. Slept on the streets and in the Madhav Baug temple precincts. These experiences were later retold in quasi-autobiographical Pocketmaar. Left for Calcutta where he became assistant to Kidar Sharma. His first script is Banke Sipahi (1937), a version of The Three Musketeers. Wrote several scripts, usually in stunt genre, at Indrapuri Studios where he also received his first break as director. Turned producer in Calcutta (1948), then returned to Bombay (1949) and later established Roshni Pics (1955) and Rahul Theatres (1960). Made comedies (best known is Kishore Kumar’s slapstick Shararat) and love stories. Sangharsh was based on major Bengali novelist Mahashweta Devi’s Laila Aasmaner Aaina. After Mere Mehboob, made period romances and love legends. Last film Deedar-e-Yaar, written by his son Rahul Rawail, was one of the biggest financial disasters of 80s Hindi film. Since then has produced films for his son.

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Known for

SaqiMoment
Saqi
1952
MastanaMoment
Mastana
1954
Pocket MaarMoment
Pocket Maar
1956
SunghurshMoment
Sunghursh
1968
PatangaMoment
Patanga
1949
Roop Ki Rani Choron Ka RajaMoment
Roop Ki Rani Choron Ka Raja
1961
ShararatMoment
Shararat
1959
Laila-MajnuMoment
Laila-Majnu
1976
Mehboob Ki MehndiMoment
Mehboob Ki Mehndi
1971
Deedar-E-Yaar★ 10Moment
Deedar-E-Yaar
1982
Sagai★ 10Moment
Sagai
1951

Frequent collaborators