Ниоткуда с любовью, или весёлые похороны poster

Ниоткуда с любовью, или весёлые похороны (2006)

2006-12-14 · RU
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Based on the novel by Booker Prize Winner Ludmila Ulitskaya, The Funeral Party is set in August 1991. In a sweltering New York City apartment, a group of Russian émigrés gathers round the deathbed of an artist named Alik, a charismatic character beloved by them all, especially the women who take turns nursing him as he fades from this world. Their reminiscences of the dying man and of their lives in Russia are punctuated by debates and squabbles: Whom did Alik love most? Should he be baptized before he dies, as his alcoholic wife, Nina, desperately wishes, or be reconciled to the faith of his birth by a rabbi who happens to be on hand? And what will be the meaning for them of the Yeltsin putsch, which is happening across the world in their long-lost Moscow but also right before their eyes on CNN?

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Distribution principale

Distribution et équipe complètes →
Aleksandr AbdulovAleksandr AbdulovAlikAnna AleksakhinaAnna AleksakhinaNinaElena RufanovaElena RufanovaIrina PearsonPolina FokinaPolina FokinaValentinaAnna DvorzhetskayaAnna DvorzhetskayaTishortVladimir EryominVladimir EryominLibinVladimir KachanVladimir KachanFima GruberLiya AkhedzhakovaLiya AkhedzhakovaMarya IgnatyevnaAleksey KolganAleksey KolganFather ViktorYan TsapnikYan TsapnikRabbi MenasheAnna GusarovaAnna GusarovaLyudmilaClaudia BoczarClaudia BoczarDzhoyka

Movie DNA

Affinité de genreDrame · RomancePréférence d’ambianceRomanceDensité des dialoguesDrameIntensité émotionnelleRomancePréférence de réalisation380096Préférence de casting334549 · 355548 · 374328

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Frequently asked questions about Ниоткуда с любовью, или весёлые похороны

What is Ниоткуда с любовью, или весёлые похороны about?

Based on the novel by Booker Prize Winner Ludmila Ulitskaya, The Funeral Party is set in August 1991. In a sweltering New York City apartment, a group of Russian émigrés gathers round the deathbed of an artist named Alik, a charismatic character beloved by them all, especially the women who take turns nursing him as he fades from this world. Their reminiscences of the dying man and of their lives in Russia are punctuated by debates and squabbles: Whom did Alik love most? Should he be baptized before he dies, as his alcoholic wife, Nina, desperately wishes, or be reconciled to the faith of his birth by a rabbi who happens to be on hand? And what will be the meaning for them of the Yeltsin putsch, which is happening across the world in their long-lost Moscow but also right before their eyes on CNN?