Michel Auder
Directing

Michel Auder

Soissons, Aisne, France

Michel Auder’s films, which span in length from five minutes to multiple hours, are all edited from the thousands of hours of footage the artist has casually shot throughout his life. Early on, Auder made a habit of carrying portable video-recording equipment on a daily basis, and so amassed a biographical reel that frequently captured his fellow artists in the New York art scene, including such personalities as Cindy Sherman, Larry Rivers, and, most famously, Alice Neel. Auder did not consider his practice to be factually driven, however: “It was not in any way a documentary, not to be related as truth. This work reflects my own feelings.” Auder’s approach to filming was largely inspired by Andy Warhol’s screen tests, and the experimental films of exponents of the French New Wave like Jean-Luc Godard.

Known for

Cleopatra★ 6
Cleopatra
1970
Magnetic Notes, 1986-1987
Magnetic Notes, 1986-1987
1988
Birth of a Nation★ 6.3
Birth of a Nation
1997
Fun and Games for Everyone★ 6.6
Fun and Games for Everyone
1969
Keeping Busy
Keeping Busy
1969
The Feature★ 8
The Feature
2008
Langlois★ 4.5
Langlois
1970
The Stone Age
The Stone Age
1970
Chelsea Girls with Andy Warhol★ 8
Chelsea Girls with Andy Warhol
1976
Roman Variations
Roman Variations
1991
Voyage to the Center of the Phone Lines
Voyage to the Center of the Phone Lines
1993
Untitled (I Was Looking Back To See If You Were Looking Back At Me To See Me Looking Back At You)
Untitled (I Was Looking Back To See If You Were Looking Back At Me To See Me Looking Back At You)
2012
Jesus
Jesus
1979
1967
1967
2015
Fictional Art Film
Fictional Art Film
2019