
Meditation on Violence (1949)
Chao-Li Chi shadow boxes indoors and practices with a sword outdoors. Theoretically, the film describes in a single continuous movement three degrees of traditional Chinese boxing, Wu-tang, Shao-lin, and Shao-lin with a sword. A long sequence of the ballet-like, sinuous Wu-tang becomes the more erratic Shao-lin; in the middle, there is an abrupt change to leaping sword movements, in the center of which, at the apogee of the leap, there is a long held freeze-frame.
Read the Meditation on Violence feature →Media
Top billed cast
Full cast & crew →Keywords
Movie DNA
More like this
More Documentary →
Viewing moment
Viewing moment
Viewing moment
Viewing moment
Viewing moment
Viewing moment
Viewing moment
Viewing moment
Viewing moment
Viewing moment
Viewing moment
Viewing momentFrequently asked questions about Meditation on Violence
What is Meditation on Violence about?
Chao-Li Chi shadow boxes indoors and practices with a sword outdoors. Theoretically, the film describes in a single continuous movement three degrees of traditional Chinese boxing, Wu-tang, Shao-lin, and Shao-lin with a sword. A long sequence of the ballet-like, sinuous Wu-tang becomes the more erratic Shao-lin; in the middle, there is an abrupt change to leaping sword movements, in the center of which, at the apogee of the leap, there is a long held freeze-frame.
How long is Meditation on Violence?
Meditation on Violence has a runtime of 12 minutes.