A Shoeshine Boy poster
Film

A Shoeshine Boy (1961)

Original title: 구두닦이

1961-01-01 · KO

Following the death of his parents, Yeong-cheol shines shoes in the streets, struggling to care for his sick younger sister Yeong-hui and make ends meet. Despite the persuasive efforts of low-life criminal boss Wang-cho, pickpocket Jjang-gu, and prostitute Mi-hwa, Yeong-cheol vows to lead an honest life by looking after Yeong-hui with cigarette salesgirl Myeong-sun and helping newly arrived shoeshine boy Dong-seok settle in. However, a tragic accident forces Yeong-cheol to make an important decision that may change his life. ※ Sharing the same Korean title with Vittorio De Sica’s classic Shoeshine (1946), this film was noted at the time of release for its strong neorealistic approach. All of the picture elements have been lost and only 4 original sound negative reels (around 40 minutes) survive today. The plot summary and scene descriptions have been added in the form of title cards as well as a selection of production stills to aid the viewing experience.

Read the A Shoeshine Boy feature →

Top billed cast

Full cast & crew →
Chu Seok-yangChu Seok-yangPadroneJo Mi-ryeongJo Mi-ryeongKim Hee-kapKim Hee-kapJeong Ae-ranJeong Ae-ranMyung Soon-moLee Kyeong-huiLee Kyeong-huiSoonyoung MoChoi SamChoi SamSergeantLee YongLee Yong

Movie DNA

Actor preference688201 · 686364 · 548793Country preferenceKrDecade preference1960

Frequently asked questions about A Shoeshine Boy

What is A Shoeshine Boy about?

Following the death of his parents, Yeong-cheol shines shoes in the streets, struggling to care for his sick younger sister Yeong-hui and make ends meet. Despite the persuasive efforts of low-life criminal boss Wang-cho, pickpocket Jjang-gu, and prostitute Mi-hwa, Yeong-cheol vows to lead an honest life by looking after Yeong-hui with cigarette salesgirl Myeong-sun and helping newly arrived shoeshine boy Dong-seok settle in. However, a tragic accident forces Yeong-cheol to make an important decision that may change his life. ※ Sharing the same Korean title with Vittorio De Sica’s classic Shoeshine (1946), this film was noted at the time of release for its strong neorealistic approach. All of the picture elements have been lost and only 4 original sound negative reels (around 40 minutes) survive today. The plot summary and scene descriptions have been added in the form of title cards as well as a selection of production stills to aid the viewing experience.