Непокорённые afişi

Непокорённые (1945)

Özgün adı: Непокоренные

1945-10-15 · RU
55%
Puan
5 oy
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Russian filmmaker Mark Donskoi, of "The Gorky Trilogy" fame, was responsible for the postwar Soviet drama The Taras Family (originally Nepokorenniye, and also released as Unvanquished and Unconquered). A semi-sequel to Donskoi's Raduga (1944), the story is set in Nazi-occupied Kiev. The drama focusses on the travails of a typical Soviet family and on the efforts by the Germans to force the reopening of a local munitions factory. The film is at its most grimly effective in a long sequence wherein the Nazis conduct a search for Jewish escapees, culminating in a horribly graphic re-creation of the slaughter of the Jews at Babi Yar. While Donskoi was critically lambasted for his cinematic "sloppyiness" during this sequence (hand-held camera, rapid cuts etc.), it can now be seen that he was attempting a realistic, documentarylike interpretation of this infamous Nazi atrocity.

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Mykhailo VysotskyiMykhailo VysotskyiGerman engineerAmvrosii BuchmaAmvrosii BuchmaTaras YatsenkoDaniil SagalDaniil SagalStepanYevgeni PonomarenkoYevgeni PonomarenkoAndreyMikhail TroyanovskyMikhail TroyanovskyNazar Ivanovich OmelchenkoEkaterina OsmyalovskayaEkaterina OsmyalovskayaValyaSergei TroitskySergei TroitskyPoliceman (uncredited)

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Tür eğilimiDram · SavaşDiyalog yoğunluğuDramDuygusal yoğunlukSavaşYönetmen tercihi493635Oyuncu tercihi465446 · 360356 · 360324Ülke tercihiSu

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Russian filmmaker Mark Donskoi, of "The Gorky Trilogy" fame, was responsible for the postwar Soviet drama The Taras Family (originally Nepokorenniye, and also released as Unvanquished and Unconquered). A semi-sequel to Donskoi's Raduga (1944), the story is set in Nazi-occupied Kiev. The drama focusses on the travails of a typical Soviet family and on the efforts by the Germans to force the reopening of a local munitions factory. The film is at its most grimly effective in a long sequence wherein the Nazis conduct a search for Jewish escapees, culminating in a horribly graphic re-creation of the slaughter of the Jews at Babi Yar. While Donskoi was critically lambasted for his cinematic "sloppyiness" during this sequence (hand-held camera, rapid cuts etc.), it can now be seen that he was attempting a realistic, documentarylike interpretation of this infamous Nazi atrocity.