Les yeux ne veulent pas en tout temps se fermer, ou Peut-être qu'un jour Rome se permettra de choisir à son tour afişi
FilmDram

Les yeux ne veulent pas en tout temps se fermer, ou Peut-être qu'un jour Rome se permettra de choisir à son tour (1971)

1971-01-13 · 1 sa 28 dk · FR
53%
Puan
16 oy
IMDb ↗

Straub-Huillet’s first color film, adapts a lesser-known Corneille tragedy from 1664, which in turn was based on an episode of imperial court intrigue chronicled in Tacitus’s Histories. The costuming is classical, and the toga-clad, nonprofessional cast performs the drama’s original French text amid the ruins of Rome’s Palatine Hill while the noise of contemporary urban life hums in the background. Their lines are executed with a terrific flatness and frequently through heavy accents; the language in Othon becomes not merely an expression but a thing itself, an element whose plainness here alerts us to qualities of the work that might otherwise be subordinated.

Les yeux ne veulent pas en tout temps se fermer, ou Peut-être qu'un jour Rome se permettra de choisir à son tour özel yazısını oku →

Medya

Başrol oyuncuları

Tüm kadro ve ekip →
Adriano ApràAdriano ApràOthonAnne BrumagnePlautineEnnio LauricellaGalbaOlimpia CarlisiOlimpia CarlisiCamilleAnthony PensabeneViniusJean-Marie StraubJean-Marie StraubLucusJean-Claude BietteJean-Claude BietteMartianusMarilù ParoliniFlavieEduardo de GregorioAtticusSergio RossiSergio RossiRutile

Movie DNA

Tür eğilimiDramDiyalog yoğunluğuDramTempoKısaYönetmen tercihi518370 · 567945Oyuncu tercihi418824 · 518370 · 297015Dönem tercihi1970

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Les yeux ne veulent pas en tout temps se fermer, ou Peut-être qu'un jour Rome se permettra de choisir à son tour hakkında sık sorulanlar

Les yeux ne veulent pas en tout temps se fermer, ou Peut-être qu'un jour Rome se permettra de choisir à son tour ne hakkında?

Straub-Huillet’s first color film, adapts a lesser-known Corneille tragedy from 1664, which in turn was based on an episode of imperial court intrigue chronicled in Tacitus’s Histories. The costuming is classical, and the toga-clad, nonprofessional cast performs the drama’s original French text amid the ruins of Rome’s Palatine Hill while the noise of contemporary urban life hums in the background. Their lines are executed with a terrific flatness and frequently through heavy accents; the language in Othon becomes not merely an expression but a thing itself, an element whose plainness here alerts us to qualities of the work that might otherwise be subordinated.

Les yeux ne veulent pas en tout temps se fermer, ou Peut-être qu'un jour Rome se permettra de choisir à son tour ne kadar sürüyor?

Les yeux ne veulent pas en tout temps se fermer, ou Peut-être qu'un jour Rome se permettra de choisir à son tour 88 dakika sürüyor.