Uma Noite em 67 afişi

Uma Noite em 67 (2010)

2010-07-30 · 1 sa 25 dk · PT
68%
Puan
8 oy
IMDb ↗

A documentary which shows the greatness in the Festival de Música Popular Brasileira of 1967.

If you thought TV shows in which audiences and juries judge musical acts were a relatively new phenomenon, you'd better think again. In the 1970s, such "festivals" were incredibly popular in Brazil. They were recorded before a live studio audience, and usually featured a number of elimination rounds. They also formed the springboard for the career of many a big-name star, such as Chico Buarque, Caetano Veloso, Roberto Carlos and Gilberto Gil. Appearing on such a program was no cakewalk, however: audiences could be as wild in their condemnation as in their appreciation of an artist. Extensive archive footage (including performances and behind-the-scenes interviews) from a turbulent final of the Festival of Brazilian Popular Music one evening in 1967 paints a fascinating picture, not only of the transformation of Brazilian music into real "festival" music, but also of a society starting to buck against the yoke of military rule.

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Medya

Başrol oyuncuları

Tüm kadro ve ekip →
Caetano VelosoCaetano VelosoSelfSérgio RicardoSérgio RicardoHimselfGilberto GilGilberto GilSelfChico BuarqueChico BuarqueSelfEdu LoboEdu LoboHimselfRoberto CarlosRoberto CarlosHimselfRita LeeRita LeeHerselfArnaldo BaptistaArnaldo BaptistaHimselfSolano RibeiroHimselfZuza Homem de MelloZuza Homem de MelloHimselfNelson MottaNelson MottaHimself

Movie DNA

Tür eğilimiMüzik · Tarih · BelgeselTempoKısaYönetmen tercihi657237 · 305890Oyuncu tercihi519872 · 427625 · 517228Dönem tercihi2010Süre tercihiKısa

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If you thought TV shows in which audiences and juries judge musical acts were a relatively new phenomenon, you'd better think again. In the 1970s, such "festivals" were incredibly popular in Brazil. They were recorded before a live studio audience, and usually featured a number of elimination rounds. They also formed the springboard for the career of many a big-name star, such as Chico Buarque, Caetano Veloso, Roberto Carlos and Gilberto Gil. Appearing on such a program was no cakewalk, however: audiences could be as wild in their condemnation as in their appreciation of an artist. Extensive archive footage (including performances and behind-the-scenes interviews) from a turbulent final of the Festival of Brazilian Popular Music one evening in 1967 paints a fascinating picture, not only of the transformation of Brazilian music into real "festival" music, but also of a society starting to buck against the yoke of military rule.

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