Havemos de Voltar (2017)
Angola's complex history seen through the eyes of a fake taxidermy sable antelope. She takes us on a journey that links colonial ideas from the past with contemporary reality. This short contemplation on the conservation of memory is a brilliant mix between static painted, staged histories, and a physical parade through the streets.
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Ülke tercihiAoDönem tercihi2010
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Angola's complex history seen through the eyes of a fake taxidermy sable antelope. She takes us on a journey that links colonial ideas from the past with contemporary reality. This short contemplation on the conservation of memory is a brilliant mix between static painted, staged histories, and a physical parade through the streets.