The Human Condition afişi

The Human Condition (1959)

Özgün adı: 人間の條件

1959-01-15 · 9 sa 30 dk · JA
▶ Fragmanı oynat

Man's inhumanity to man

This mammoth humanist drama by Masaki Kobayashi is one of the most staggering achievements of Japanese cinema. Originally filmed and released in three installments of two parts each, the nine-and-a-half-hour The Human Condition, adapted from Junpei Gomikawa’s six-volume novel, tells of the journey of the well-intentioned yet naive Kaji—played by the Japanese superstar Tatsuya Nakadai—from labor camp supervisor to Imperial Army soldier to Soviet prisoner of war. Constantly trying to rise above a corrupt system, Kaji time and again finds his morals to be an impediment rather than an advantage. A raw indictment of Japan’s wartime mentality as well as a personal existential tragedy, Kobayashi’s riveting, gorgeously filmed epic is novelistic cinema at its best.

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Başrol oyuncuları

Tüm kadro ve ekip →
Tatsuya NakadaiTatsuya NakadaiKajiMichiyo AratamaMichiyo AratamaMichikoChikage AwashimaChikage AwashimaTôfuku KinIneko ArimaIneko ArimaShunran YôSō YamamuraSō YamamuraOkishimaAkira IshihamaAkira IshihamaChinKôji NanbaraKôji NanbaraSeiji MiyaguchiSeiji MiyaguchiKyôritsu ÔTōru AbeTōru AbeWatarai GunsôKokinji KatsuraKokinji KatsuraSasa NitôheiJun TataraJun TataraHino Jun'iMichirō MinamiMichirō MinamiYoshida Jôtôhei

Movie DNA

Tür eğilimiDram · TarihDiyalog yoğunluğuDramTempoUzunDuygusal yoğunlukLife During WartimeYönetmen tercihi204793Oyuncu tercihi171014 · 447268 · 210078

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This mammoth humanist drama by Masaki Kobayashi is one of the most staggering achievements of Japanese cinema. Originally filmed and released in three installments of two parts each, the nine-and-a-half-hour The Human Condition, adapted from Junpei Gomikawa’s six-volume novel, tells of the journey of the well-intentioned yet naive Kaji—played by the Japanese superstar Tatsuya Nakadai—from labor camp supervisor to Imperial Army soldier to Soviet prisoner of war. Constantly trying to rise above a corrupt system, Kaji time and again finds his morals to be an impediment rather than an advantage. A raw indictment of Japan’s wartime mentality as well as a personal existential tragedy, Kobayashi’s riveting, gorgeously filmed epic is novelistic cinema at its best.

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