Tokyo Giants (2013)
1 oy
Provost shot this final part of the 'Plot Point' Trilogy in Tokyo. He here presents the man in the street as a film protagonist whose reality lies somewhere between a dream and a nightmare. In these three aesthetic reinterpretations, Provost, using seemingly insignificant raw material, not only moulds mystical spaces that compellingly absorb the viewer, but also masterfully shows that the dream-world called 'cinema' is simply a constructed parallel reality comprising clichés, technical rules and dramaturgical conventions.
Tokyo Giants özel yazısını oku →Movie DNA
Tokyo Giants hakkında sık sorulanlar
Tokyo Giants ne hakkında?
Provost shot this final part of the 'Plot Point' Trilogy in Tokyo. He here presents the man in the street as a film protagonist whose reality lies somewhere between a dream and a nightmare. In these three aesthetic reinterpretations, Provost, using seemingly insignificant raw material, not only moulds mystical spaces that compellingly absorb the viewer, but also masterfully shows that the dream-world called 'cinema' is simply a constructed parallel reality comprising clichés, technical rules and dramaturgical conventions.