にじ (1988)
Takuji Suzuki began making films with a camera pointed at his own face. Whether in a room, in a classroom, or on a journey through the wild, the artist's face speaks to the camera. And then there is the interaction with his "uncle" who plays the violin like a saw. This is the endpoint of the unique act of the artist, who keeps turning the film to discover his identity. No one else can give you this taste.
にじ özel yazısını oku →Movie DNA
にじ hakkında sık sorulanlar
にじ ne hakkında?
Takuji Suzuki began making films with a camera pointed at his own face. Whether in a room, in a classroom, or on a journey through the wild, the artist's face speaks to the camera. And then there is the interaction with his "uncle" who plays the violin like a saw. This is the endpoint of the unique act of the artist, who keeps turning the film to discover his identity. No one else can give you this taste.