Kurt Weill: Street Scene Poster
Film

Kurt Weill: Street Scene (2002)

Originaltitel: Kurt Weill - Street Scene

2002-01-01 · EN

Street Scene is a Broadway musical or, more precisely, an "American opera" by Kurt Weill (music), Langston Hughes (lyrics), and Elmer Rice (book). It was based on the Pulitzer Prize-winning play of the same name by Rice. For his work on Street Scene, Weill received the first Tony Award for Best Original Score. In Germany, in the late 1920s and early 1930s, Weill had already begun to use American jazz and popular song elements in his operas. After fleeing from Germany in 1933, he worked in Paris, then England, and then, beginning in 1935, in New York. Weill made a study of American popular and stage music and worked to further adapt his music to new American styles in his writing for Broadway, film and radio. He strove to find a new way of creating an American opera that would be both commercially and artistically successful.

Feature zu Kurt Weill: Street Scene lesen →

Hauptbesetzung

Vollständige Besetzung & Crew →
Ashley PutnamAshley PutnamMarc EmbreeMarc EmbreeTeri HansenTeri HansenKip WilbornKip Wilborn

Movie DNA

Regiepräferenz407758Schauspielpräferenz1345470 · 1346007 · 1346008LänderpräferenzUsEpochenpräferenz2000

Häufige Fragen zu Kurt Weill: Street Scene

Worum geht es in Kurt Weill: Street Scene?

Street Scene is a Broadway musical or, more precisely, an "American opera" by Kurt Weill (music), Langston Hughes (lyrics), and Elmer Rice (book). It was based on the Pulitzer Prize-winning play of the same name by Rice. For his work on Street Scene, Weill received the first Tony Award for Best Original Score. In Germany, in the late 1920s and early 1930s, Weill had already begun to use American jazz and popular song elements in his operas. After fleeing from Germany in 1933, he worked in Paris, then England, and then, beginning in 1935, in New York. Weill made a study of American popular and stage music and worked to further adapt his music to new American styles in his writing for Broadway, film and radio. He strove to find a new way of creating an American opera that would be both commercially and artistically successful.